![]() ![]() for my family and my friends and the world that I grew up in, this was the kind of dream that really was impossible. His parents disapproved of the idea, Zemeckis later said, "But only in the sense that they were concerned. "You hear so much about the problems with television," he said, "but I think that it saved my life." Television gave Zemeckis his first glimpse of a world outside of his blue-collar upbringing specifically, he learned of the existence of film schools on an episode of The Tonight Show Starring Johnny Carson.Īfter seeing Bonnie and Clyde with his father and being heavily influenced by it, Zemeckis decided that he wanted to go to film school. Along with enjoying movies, Zemeckis remained an avid TV watcher. Starting off by filming family events like birthdays and holidays, he gradually began producing narrative films with his friends that incorporated stop-motion work and other special effects. The only thing I had that was inspirational, was television-and it actually was." Īs a child, he loved television and was fascinated by his parents' 8 mm film home movie camera. I mean, there was no music, there were no books, there was no theater. Zemeckis has said "the truth was that in my family there was no art. He attended a Catholic grade school and Fenger Academy High School. Zemeckis grew up on the South Side of the city. His father was Lithuanian-American while his mother was Italian-American. Robert Lee Zemeckis was born on May 14, 1952, in Chicago the son of Rosa (née Nespeca) and Alphonse Zemeckis. Though interest in Zemeckis has at times been solely limited to his work with special effects, his work has been praised by several film critics, including David Thomson, who wrote that "no other contemporary director has used special effects to more dramatic and narrative purpose." Early life He is also known for his collaboration with composer Alan Silvestri, with whom he has worked on many of his films. His exploration of state-of-the-art special effects includes the early use of computer graphics inserted into live-action footage in Back to the Future Part II (1989) and Forrest Gump, the insertion of hand-drawn animation into live-action footage in Who Framed Roger Rabbit, and the pioneering performance capture techniques seen in The Polar Express (2004), Monster House (2006), Beowulf (2007), A Christmas Carol (2009), and Welcome to Marwen (2018). Zemeckis is regarded as an innovator in visual effects. ![]() He has directed films across a wide variety of genres, for both adults and families. He subsequently directed the satirical black comedy Death Becomes Her (1992) and then diversified into more dramatic fare, including Forrest Gump (1994), for which he won the Academy Award for Best Director. He first came to public attention as the director of the action-adventure romantic comedy Romancing the Stone (1984), the science-fiction comedy Back to the Future film trilogy (1985–1990), and the live-action/animated comedy Who Framed Roger Rabbit (1988). Robert Lee Zemeckis (born May 14, 1952) is an American filmmaker. ![]()
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